In case you wanna know some things about some famous raags, you’re welcome 👍

RAAG – ALHAIYA BILAWAL

Thaat – Bilawal
Jati – Shadav / Sampurna
Badiswara – Dha
Samvaadi – Ga
Time of Rendering – First Quarter of the day
Varjit swara – Ma in Aaroha
Swaras used – Komal Ni in Avaroha

Aaroha – Sa Re Ga Pa, Dha Ni Sa
Avaroha – Sa Ni Dha Pa, Dha Ni Pa Ma Pa, Ma Ga Ma Re Sa

Pakad – Re Ga Pa Ma Ga, Ga Ma Re Sa

Specialities – Uttarang pradhan, shringar/veer ras

RAAG – AASHAVARI

Thaat – Aashavari
Jati – Audav / Sampurna
Badiswara – Dha
Samvaadi – Ga
Time of Rendering – First Quarter of the day
Varjit swara – Ga, Ni in Aaroha
Swaras used – Komal Ga, Komal Dha, Komal Ni

Aaroha – Sa Re Ma Pa Dha Sa
Avaroha – Sa Ni Dha Pa, Ma Ga Re Sa

Pakad – Re Ma Pa Dha Sa, Ni Dha Pa Dha Pa Dha Pa Ga, Re Ma Pa Sa

Specialities – Uttarang pradhan, bhakti & shringar mood

RAAG – BAGESHREE

Thaat – Kafi
Jati – Audav–Shadav
Swaras used – Komal Ga, Komal Ni
Varjit swara – Re & Pa in Aaroha; Pa in Avaroha
Badiswara – Ma
Samvaadi – Sa
Time of Rendering – Second Quarter of the night

Aaroha – Sa Ga Ma Dha Ni Sa
Avaroha – Sa Ni Dha Ma Pa Dha, Ma Ga Re Sa

Pakad – Dha Ni Sa, Ma, Ma Pa Dha, Ma Ga Re Sa

Specialities – Shringar, virah, waiting mood; Pa sometimes used only in asthayi

RAAG – BHAIRAV

Thaat – Bhairav
Jati – Sampoorna–Sampoorna (7 notes in both ascent and descent)
Vadi – Dha
Samvadi – Re
Prahar (Time) – Early morning
Jaati – Shadava–Sampoorna (some schools differ, but Sampoorna–Sampoorna is most accepted)

Aaroha – Sa Re Ga Ma Pa Dha Ni Sa
Avaroha – Sa Ni Dha Pa Ma Ga Re Sa
Pakad – Ga Ma Dha Pa Ga Ma Re Sa

Mood (Rasa) – Serious, devotional, and peaceful

RAAG – BHAIRAVI

Thaat – Bhairavi
Jati – Sampurna–Sampurna
Swaras used – Komal Re, Ga, Dha, Ni
Varjit swara – None
Badiswara – Ma
Samvaadi – Sa
Time of Rendering – Morning / Anytime

Aaroha – Sa Re Ga Ma Pa Dha Ni Sa
Avaroha – Sa Ni Dha Pa Ma Ga Re Sa

Pakad – Ni Sa Ga Ma Pa Dha Pa, Ga Ma Re Sa, Dha Ni Sa

Specialities – Very expressive; can include shuddha & vikrit swars tactfully; often sung at end of concerts

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